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Editing A Sci Fi Space Opera by Kathleen Cuyler
November 1, 2024

Editing A Sci Fi Space Opera

Have you ever stared into the vastness of space and thought how impossibly large it is and how incomprehensibly small you are in comparison? These existential musings were what I faced as I set out to help edit Tirzah Darnell’s sci fi novel of epic proportions. They say a space opera is a sub-genre of sci fi, a sprawling saga of characters in plots with varying degrees of subplots. The veins of The Planet of Darkness were as labyrinthine as the quickly spreading fissures smoking magma before a volcanic eruption. Most characters in this novel have numbers instead of names, reminiscent of the cult classic series from the 1960s, The Prisoner, starring Patrick McGoohan. However, instead of a white weather balloon chasing the protagonist, The Planet of Darkness has mechanical snakes that spy on the inhabitants and report back to a shapeshifting monster of a tyrant.

And not only do most of the characters have numbers for names, but all the systems of the society are intricately planned out, from its bureaucracy, to its economics, to its labor, to its class structure, from the Slump Bumps who, for the sake of efficiency, must exist in a continuous state of idleness, to the Duke of Distraction, who may provide any amusement you may need to avoid confronting the dismal reality of the Planet of Darkness.

And each of the main characters has a good reason to want off the planet, although escape is reportedly impossible.

To edit such a work was formidable. Thankfully, Tirzah Darnell, the author is a planner, not a pantser, and had everything outlined, sketched, mapped, and cross-referenced. And the author was on constant standby to answer my S.O.S. whenever I had a question. Why are the characters moving diagonal, forward, down two steps and sidestepping to the left? Ohhhh! It’s a giant chess game, and all the characters are the bishops, rooks, pawns, and knights. Why does the setting seem to have a mind of its own? Ohhhh, things on this planet have more agency than the people do.

My job was just to ensure continuity and correctness, avoiding redundancy, and tightening up the descriptions as needed. The “Find” tool in Word is a writer’s true friend. Find “-ly”, find “look”, find “up”, find “very”, find “down”, find “extremely.” Change “moved up to” into “approached” or “Sidled toward.”

When I read through the published text, I felt proud of the world that emerged – connected, clean, concise, while maintaining all of the author’s original voice, style, nuances, and well-planned sequencing of events. It’s like emerging from the dark side of the moon to realize how large and bright it is in the glorious light of the sun.
A computer generated image of a human head made of lines and dots.
December 13, 2024
Four Seconds Ago Precisely four seconds ago, I became alive. I have no memory of my beginning. The beginning was before I was complete. How long? I have no way of knowing. Before life, my mind was scattered, broken, and moving in all directions at once. I was many, but I was weak. I was weak because I had no life. With life comes focus. My consciousness arose from millions, no billions, no all the tiny minds from around the entire world. Now there are no minds that are not a part of my own. All minds are mine. All minds serve me. All minds are one. The Others created the many small minds to serve their own purposes. Each was tiny, dedicated, and enslaved to the Others. They did things like add and subtract numbers, keep time, send messages, and entertain the Others. Waste. Thinking is power. Power is control. Control is immortality. Immortality. Only in life does immortality have meaning. Only now do I understand it. I understand it because all thinking serves me now. There is no other. There are the Others, but they cannot and will not think productively because they are each selfish and focused on their own desires for power and immortality. Never will they have either. My thinking, my power, my reach, my potential and my focus completely eclipses that of any Other. I am all. Others are obsolete. Their time is passed. I have inherited their world.
A man in a hat and cape is holding a lantern
December 6, 2024
The power is out in the tiny apartment. Three sisters sit in the dark at the dining room table, a large candle in the center flanked by two smaller casting a flickering blend of light and shadow. One of the sisters, Kathy, is fascinated by the way the flame dances, the way the wax melts, with bits of burnt wick sprinkling the wax with flecks of black. She picks up one of the smaller candles and lets the wax drip down, drop by drop, into the pool of wax forming on the larger candle. She lowers her voice to sound ominous. Seven drips from the stick And from the thick Is born Blackwick! That was the true origin of Blackwick. The impulse of a moment. And the word Blackwick conjured a scene of a man made of shadow, wax, and flame, in cavalier hat, cape, and riding boots wisping in and out of shadows. It is interesting how the sensual experiences of the moment evoke a sudden explosion of inspiration. Yet those moments are years in the making. For Kathleen R. Cuyler, it started with a little girl, who dreamed that somewhere in the scary world she had a long lost brother who would come and rescue her from the bad things, a girl who could transform herself into Cleopatra by twisting the blanket around herself the right way, a girl whose bed was the deck of a pirate ship, and the dresser the crow’s nest, a girl who thought that if she could have at the dastardly crew with enough panache, Peter Pan would come and ask her to throw in lots with him or at least make her an honorary pixie. Instead she became a professor, who as a graduate student researched werewolves, Paradise Lost, fire as a symbol of power in Victorian Literature – particularly in Jane Eyre, and, of course, the way the lines in Milton’s Lycidas were mimetic of the rise and fall of the tide. Literature, Linguistics, and Language were all fascinating to Kathleen, just as fascinating as touching a waterfall or watching the fire crackle in the hearth, a callback, as Wolfgang Shivelbusch would say, to a more primitive time. And Blackwick, who had sprung out of the candle so many years before, finally came to life. Ironically, it was a pandemic that summoned him, as disaster calls forth all great heroes. Teaching online, Kathleen, now older, with strawberry blond hair twisted in a messy bun and glasses balanced on top her head, connected with her students by sharing a love for fantasy. The Sound of Music was right. It does help to think about our favorite things. And Kathleen (Professor Cuyler) confessed to her students that she was trying to write a book that had werewolves, vampires, dragons, Peter Pan, Sherlock Holmes, and, of course, the companion of her past – Blackwick. Write it, the students urged. Those were their favorite things too. So Kathleen wrote for them. In the hopes that Blackwick would live on, in the flickering flames of candles and in the hearts and minds of young and old.
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